Artificial Rose and Eucalyptus Bouquet
A tied bouquet of large faded roses with pompom chrysanthemums on long wiry stems, eucalyptus sprigs, fine dried twigs and small cream blossom sprays. Height 50 cm (19.7 in), width 40 cm (15.7 in). Available in eight muted palettes.
Free delivery from $80
You’ll receive a tracking number when your order ships. Below $80, delivery is $6.99.
7–12 working days
Shipped direct from our workshop. The delivery window is counted from the order date; tracking may be quiet during the international journey.
If something is wrong
Damaged, faulty or not as described? Contact us as soon as you can. A photo usually helps us sort it quickly; we will arrange a replacement or refund.
We wanted flowers that would still be beautiful a year from now — not just on the day they arrived.
Why we love it
The roses give this bouquet its distinctive aged character. In the wine-red colourway, deeper tones gather towards the centre of each bloom, while the outer petals soften into muted, greyish shades. This variation gives the flowers a gently weathered appearance rather than a uniform block of colour. The softly irregular petal edges and individually folded layers add to the relaxed shape of each rose.
Pompom chrysanthemums sit between the larger roses on long, slender stems, rising above the main flower heads and extending outwards. Their rounded shape creates a contrast with the more open rose petals, giving the bouquet a varied outline rather than one continuous dome.
Eucalyptus sprigs fill out the arrangement in dusty green and burgundy tones, while fine brown twigs extend around the edges to add a looser structure. Small cream blossom sprays sit lower among the flowers, bringing a lighter touch to the deeper colour combinations. Together, the different flower shapes, foliage and delicate branches give the bouquet a layered appearance without making it feel overly crowded.
The bouquet arrives already tied and arranged, with a clear front for display. Simply place it in a suitable vase and turn the fullest side towards the room. Available in eight colourways, the collection ranges from soft apricot and cream to orange, mauve and wine tones.
At 50 cm (19.7 in) tall and 40 cm (15.7 in) wide, it suits a medium-sized ceramic jug or a wide-mouthed vase. Its spreading shape works particularly well on a dining table, sideboard or console. The stems can be trimmed to achieve a lower display height. Vase not included.
Select an option above to see the size and price for that piece.
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Your item is carefully packed for shipping. Depending on the design, flowers, leaves or branches may sit close together inside the box. Unpack it gently and adjust only the parts designed to move. Do not force rigid or delicate elements. If anything arrives damaged, email me with a photo.
Gently remove dust with a soft, dry brush or cloth. Suitable cleaning methods depend on the materials and construction of each piece. Avoid harsh cleaning products, prolonged direct sunlight, strong heat and persistent moisture. If you are unsure how to care for a particular design, feel free to email me.
Free delivery from $80. Below that, delivery is $6.99. Shipped direct from our workshop. Tracking may be quiet during the international journey; the 7–12 working days are counted from the order date to delivery. View full delivery details.
If it arrives damaged, faulty or not as described, contact us as soon as you can. Send a photo if it helps show what happened. We will arrange a replacement or refund. You will not be asked to pay return postage to China for a problem that was not yours; in most cases, nothing needs to come back. Your statutory rights remain unaffected. Changed your mind? Tell us within 14 days of delivery and you have a further 14 days to send it back. For a change-of-mind return, postage to our address in China is at your own cost. You may open and reasonably inspect the piece; altering or using it beyond what is reasonably necessary to inspect it may reduce the refund to reflect any loss in value. For some lower-value items, we may be able to offer a partial refund without asking you to send the item back. This is considered case by case, is not automatic and has no fixed percentage. You can always choose the normal return route instead. View full returns & refunds details.
How to style it
Three simple principles that work across different sizes and types of pieces.
Work with the scale
Use the dimensions on this page as your guide. Depending on its size, the piece can stand alone, join an arrangement or fill a larger space.
Give the shape some room
Leave a little visual space around it so the silhouette, colour and texture can read clearly rather than getting lost among too many objects.
Build on what is already there
Pick up colours or materials already in the room. It helps the piece settle in without forcing it into one particular interior style.
What we look for in a convincing faux piece
A flower, leaf, branch, wreath and arrangement do not need the same construction to look convincing.
So we judge each piece by the result — shape, colour, surface and how it reads in the room — rather than by one material or manufacturing method.
Natural proportions and slight irregularity suited to the botanical reference
Rigid repetition or shapes that feel unnaturally uniform
Layered or deliberately varied tones where they support a more natural impression
Flat, uniform colour with little visible depth
A finish that suits the piece and avoids unnecessary plastic-looking shine
Strong shine or visible seams that draw attention to the construction
Details and joins are judged by how calm and coherent the finished piece looks
Obvious joins or details that pull attention away from the botanical form
Details should still feel considered at a normal viewing distance
Only convincing from farther across the room
The overall shape should sit naturally within an interior
The construction reads more strongly than the botanical effect
What makes us different
We do not choose from a fixed material checklist. We choose by how the whole piece reads, from the first glance to the closer details.
Shape first
We start with the overall impression: proportion, movement and silhouette. A flower needs different details from a leaf, branch, wreath or arrangement, so we do not use one quality shortcut for everything.
Details at a normal distance
Edges, colour transitions, surfaces and visible joins should still feel considered up close. We avoid pieces where one construction detail immediately dominates the botanical effect.
Chosen for the result
One material or manufacturing method is not a quality guarantee for us. What matters is how convincing the finished piece feels, whether it can be shaped where it is designed to move, and whether it can be protected properly for the journey.
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